| LUKAS WRONSKI......Contemporary in violin-making.......Gallery |
| main page.....author......history......contemporary..........my instruments........my paintings.......centennial violin........video .......available..//.....events..../.....contact |
| LUKAS WRONSKI'S NEW MODERNIST MODELS | ||||||||||
| VIOLINS | ||||||||||
| Venus' violin' is made in
2000, is my own design, inspirated by Venus, the major Rome Goddess principally associated with love, beauty and fertility. The wood used is the old Italian spruce an sycamore. |
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| Spirit of Oklahoma', is made in
2007. The violin is an official Oklahoma Centennial project inspired of Native American culture. The violin made in honor the statehood celebration of Oklahoma's first 100 years. The wood used is the old Carpathian spruce and sycamore from Tatras mountains. |
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| VIOLAS | ||||||||||
| Viola Polonia Nowa made as a
diploma instrument under direction Prof. Stanislaw Mardula in Kener's Art College in Zakopane in 1996. The wood used is the old Carpathian spruce and sycamore from Tatras mountains. |
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| Some Violinmaker's new ideas / see gallery | ||||||||||
In art and music as well creators try to find new ways of expression to shock the viewer;new directions are made. The violinmakers try to be noticed in the artistic environment of the 20th century as well, but they hardly create any new ideas. Musicians prefer possessing an old looking, valuable and expensive classical instrument than the modern ones, what disables luthiers to carry into effect their modern ideas. It is known that sound of the instrument is connected with its shape and construction, so musicians and luthiers are afraid to make experiments and prefer well checked models. It is obvious, because for each of them Old CremonSchool is still one of the most important starting-pints of sound and appearance. Antonio Stradivari's and Guarneri del Gesu's instruments are the best examples. The first well known violin-makers, who were brave enough to walk the way of avant-garde and to show completely new forms of instruments, Francois Chanot, who built violins without corners, similar in shape to a guitar [violin by F. Chanot] and outstanding Polish violinmaker Tomasz Panufnik, (1876- 1951), who presented a new secession pattern of violins, and he described about it: "it is special for a pitch of dramatic sound" [T. Panufnik and new secession model]. Panufnik built a quartet in that style, which is now in the Museum of Instruments in Poznan. |
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| The violin-making is not
very well known profession today. Some call it an art and
treat violin as an inspirited work created by human, some
other think it is just a hand craft. This way of thinking, that the violin making is nothing more but only the hand craft can be caused by small knowledge about it. Factories and manufactures, which are making instruments in large amounts, contributed to treating profession as a hand craft. |
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| LUKAS WRONSKI......Contemporary in violin-making.......Gallery |
| main page.....author......history......contemporary..........my instruments........my paintings.......centennial violin........video .......available..//.....events..../.....contact |